Cochineal: The Royal Red of Natural Dyes

Nilda Callañaupa from CTTC raises a naturally dyed cochineal yarn after a successful dye day in Acopia, Peru.

What do the British Redcoats, Cardinal Red, Incan ‘blood’ Red have in common? All of these “royal” red cloths obtain their natural-dye colorant from the small insect cochineal (Dactylopius coccus)—its size about a grain of Arborio rice. Living … Read the rest

From the Indigo Vat to Woven Cloth in Laos

Ms. Sisane of the Lao Traditional Culture and Education Center in Vientiane stirs the fermenting indigo dye bath.

Why is it every time I think of an indigo vat, the lyrics “Can’t you smell that smell?” pop out of my mouth? Assuredly, Lynyrd Skynyrd was not referring to indigo in his song. But here I was at the … Read the rest

ClothRoads Scarf of the Month: Traveling Blocks in Weaving

Natural dyes for silk are used to produce the range of colors used for weaving at the Living Crafts Centre.

What better combination is there than naturally-dyed silk and a simple weaving structure? If you’ve been following my ClothRoads scarf of the month, you’ve probably noticed a trend—I like simple, yet intriguing, hand woven structures. Ones that beg for a … Read the rest

Kala Raksha, 20 Years Preserving Traditional Art and Empowering Artisans

Kala Raksha Vidhyalaya artisans work on developing their theme for designs.

Call it comforting, enriching and soul-satisfying. That’s what it felt like upon entering Kala Raksha, an Indian handcraft artisan center in Kutch, Gujarat. Hearing the chatter and laughter of the women as they sat in a circle stitching, listening to … Read the rest

Weaving On the Edge in the Peruvian Highlands

The young people in the weaving community of Sallac, Peru dance during the festival.

Breathless. That’s what I was after dancing at 13,000 feet in the highland weaving village of Sallac, Peru. How could I refuse the outstretched, gnarled hand of an elder, who smiled and gestured that I too should join in the … Read the rest

ClothRoads Scarf of the Month: Bandhani, an Indian Tie Dye Resist

This silk scarf is made using the bandhini (tie-dye) resist pattern and then naturally-dyed.

There’s sensuousness to reading a cloth, taking one’s fingers and lightly passing over the surface, like braille. To me, Indian bandhani is the braille of all artisan-made cloth resists; this is why I chose it as the ClothRoads scarf this Read the rest

Discovering Handmade Textile Treasures: Ajrakh Block Printing and Natural Dyeing

The most identifiable of Ajrakh fabric has the colors of red, blue, black and white. Traditional patterns are complex and symmetrical. Floral patterns are worn by women.

In this dry, desert Gujurat-region of India, the starkness of the landscape was a marked contrast to the vividness of the naturally-dyed cloth, the edges weighed down by rocks, drying in patches on the ground. A stones throw away, the … Read the rest

All by Hand: Block Printing Cloth at Anokhi

This master block printer carves the wood with an Anokhi design.

It was an exquisite day for a journey to the centuries-old, preeminent region of woodblock makers and printers–blue skies, clear air, rich vegetation surrounding us as our van climbed up the switch-backed road outside Jaipur, India. Lake Sagar below was … Read the rest

The ClothRoads Scarf of the Month: The Indigo Spiral

Handwoven silk, indigo dyed, block printed spiral cloth

This I know–one cannot have too many scarves. And since the launch of ClothRoads, my drawers are brimming. I have a few cold-weather scarves—handmade, of course, but the others tend towards the “statement-making” variety. I’m often asked what compels me … Read the rest

Charmed by Ñawi Awapa, a Peruvian Tubular Weaving

Ñawi awapa being attached to edge of woven cloth.

My fingers became all thumbs. I’d get in a rhythm that would last a few passes, and then I’d lose my cross. Since I spoke a little Spanish, it was assumed a Spanish-speaking instructor would suffice. Heck, I thought so … Read the rest