Archive for the ‘Peru’ Category

This cashgora goat has been combed of its down.

Oct 06

A Week Devoted to Handspinning

How are you celebrating Spinning and Weaving Week? This week has been a long-standing tradition in the handspinning and weaving community for decades. When I owned the Weaving Workshop in Chicago some 30 years ago, we celebrated this week with special demonstrations to the general public. After moving to Colorado→ Read more
Brown cotton before and after hand picking and cleaning.

Jun 09

Spinning a World of Cotton

White cotton, colored cotton, organic cotton, algodon, cuyuscate, ixcaco, and kuyuchi – cotton in all its varieties and names has shaped history and culture. This small seed has been secreted in pockets and carried to new lands. It has sprouted revolutions. And with the spread of genetically modified seeds, organic→ Read more
Manuel Reanda and Lola Sapalu

Jun 02

The Men Who Support Women Artisans Behind the Scenes

In this world of global textiles, ClothRoads works with male artisans but we also meet many men who support their wives and daughters behind the scenes. They are proud of what these women have achieved and they are humble, generally preferring to stay on the other side of the camera.→ Read more
BonieJoShupe copy

Jan 21

A Peruvian Weaving Collaboration Produces Stunning Textiles

Two years ago, Colorado designer Bonie Shupe spent a three-month internship with the Center for Traditional Textiles of Cusco in the Peruvian Highlands. She had graduated from the design and apparel program at Colorado State University and interned at ClothRoads. The CTTC internship provided an opportunity to pursue her dream→ Read more
Morocco

Jan 07

Textile Travel Wanderlust

Today’s mail arrived including a handful of travel catalogues. I do a quick flip through the pages to see if any of them include distant journeys with a remote chance of meeting textile artisans. I flag ones that may and put them aside to return to after finishing this blog.→ Read more
Warm handmade bread is a welcome treat for the highland children.

Dec 15

This Season of Gifting and Thanks

When we launched ClothRoads four years ago, we began by gifting to a few international organizations–one of those was the Center for Traditional Textiles of Cusco (CTTC). Year over year, we not only witnessed CTTC’s growth but its sustainability. Next year, CTTC will be twenty years old. It has aided→ Read more
Book Cover from Traditional Weavers of Guatemala authored by Deborah Chandler, Teresa Cordon, Photography Joe Coca, Thrums Books, 2015

Dec 03

ClothRoads Wishlist — New Textile Books of 2015

After donating thousands of fiber and textile books, there are still titles we placed on our wish list this holiday season. This past year, we (ClothRoads and Thrums Books) gave most of the Pourrey Cross Library, which was housed at Interweave Press, to Colorado State University’s Avenir Museum and Fiber Department, and local→ Read more
A close-up view of grutas being knit.

Nov 05

Riffing on a Traditional Peruvian Alpaca Hat

One handknit alpaca hat, traditional Peruvian, worn by children in the Accha Alta community in the Andean highlands. One slouch shaped, paying homage to the traditional one while offering a modern interpretation. Both are loaded with colorful bumpy textures, called grutas, making distinctive patterns.→ Read more
Indigo resist sample by Judy Newland, "Enter Through the Blue Door."

Sep 10

Natural Dyes: Explore the World of Indigo

Our journey through the ancient and mysterious world of the natural dye indigo begins here at ClothRoads. We’ll ride the indigo magic carpet throughout the holiday season. Let’s begin with an overview of this dye deeply embedded in cultures around the world–one that is both art and science, and touches the→ Read more
Marilyn with Dahyalal at Santa Fe Folk Art Market. He's wearing one of his traditional shawls.

Jun 20

Celebrate The Men Making Textiles

In our quest to bring you the best of global artisan textiles, we diverged a bit from our original goal of supporting women hand weaving cooperatives. Our first divergence was expanding beyond weaving since women’s handwork in most developing countries must be portable. The second fork in our road led→ Read more

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